12.06.2020 – 24.07.2020, Meyer Riegger, Karlsruhe

Franz Ackermann, Miriam Cahn, Anna Lea Hucht, Jamie Isenstein, Meuser, John Miller, Jonathan Monk, Daniel Roth, Silke Schatz, David Thorpe, Waldemar Zimbelmann, Jan Zöller
A Means To An End

Jamie Isenstein
Mirror Wig (Ed. 2/2), 2016
silvered glass worn by fiberglass mannequin
47,5 x 21 x 17 cm

Franz Ackermann
Terra Nullius, 2000
mixed media
dimensions variable
(detail)

Daniel Roth
Untitled, 2020
mixed media
dimensions variable
(detail)

Daniel Roth
Untitled, 2020
mixed media
dimensions variable
(detail)

Daniel Roth
Untitled, 2020
mixed media
dimensions variable
(detail)

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(John Miller, Silke Schatz)

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(John Miller, Waldemar Zimbelmann)

Waldemar Zimbelmann
Untitled, 2020
oil on canvas
140 x 95 cm

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(Waldemar Zimbelmann, David Thorpe)

Silke Schatz
Haus II, 1993
drawing on canvas
80 x 65cm

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(John Miller, Miriam Cahn)

John Miller
untitled (pedestrian series), 2016
acrylic on dibond, gatorboard
161,3 x 61 x 5,1 cm

Miriam Cahn
haus, 12.11.1982
chalk on parchment paper
300 x 400cm

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(Miriam Cahn, Jamie Isenstein, Anna Lea Hucht, Jonathan Monk)

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(Jamie Isenstein, Anna Lea Hucht)

Jamie Isenstein
Mirror Wig, 2016
silvered glass worn by fiberglass mannequin
47,5 x 21 x 17cm

Anna Lea Hucht
Ohne Titel, 2020
watercolor on paper, framed
61 x 42,5 cm

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(Jonathan Monk, Meuser, Jan Zöller)

Jonathan Monk
Laser Piece VI (Please Pay Attention Please) 2/2, 2006
laser installation
dimensions variable

Jonathan Monk
Laser Piece VI (Please Pay Attention Please) 2/2, 2006
laser installation
dimensions variable

Meuser
Das Ende der langen Latte, 2020
oil on steel
130 x 103 x 9cm

A Means To An End
installation view, Meyer Riegger, Karlsruhe, 2020
(Jan Zöller, John Miller)

Jan Zöller
When you return, we will take over, then you can came back, 2020
acrylic, oil based colored pencil, charcoal and pastels on canvas
200 x 160 cm